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The Æthelmearc Gazette

~ Covering the Kingdom of Æthelmearc of the SCA

The Æthelmearc Gazette

Tag Archives: Archaeology

Undercover at the 2018 Reconstructive & Experimental Archaeology Conference

10 Saturday Nov 2018

Posted by aethgazette in Archery, Arts & Sciences, Brewing, Costuming, Food

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Archaeology, experimental archaeology, REARC

By Elska á Fjárfelli and Chrestienne de Waterdene

My first colonial ale — called Dear Old Mum, a spiced wheat — at Chowning’s Tavern in Colonial Williamsburg. (Photo R. Mazza)

The 8th annual Reconstructive and Experimental Archaeology Conference, hosted by the experimental archaeology group EXARC (https://exarc.net), drew speakers and participants from many parts of the world. The REARC conference once again took place in Colonial Williamsburg in Virginia from October 18 to 20. Mistress Chrestienne deWaterdene and I drove down together to check out the event.

Friday was reserved for the presentation of papers by students and researchers alike, demonstrating the wealth of information and practical skills available within the EXARC community. Saturday was filled with numerous demonstrations in which the conference attendees could participate and museum visitors could watch and learn.

Elska presenting her very first academic paper, which started life as an uncooperative Ice Dragon brewing entry. (Photo S. Stull, occasional SCAdian and a conference presenter)

The presentations ranged from practical recreations like making flutes from bird bones and weaving with captive reed beads to duplicate pottery impressions to the use of recreated objects such as determining if Ötzis’ tools were for hunting or for warfare, and the function of experimental archaeology within different types of classrooms. Some researchers presented a follow-up on previous papers, such as Neil Peterson with his ongoing Viking bead furnace project.

Some might look for resources not yet found; the joy of Caitlin Gaffney after finding a possible source for a reproduction medieval knife to carve her bone flutes was absolutely contagious. And some were looking to network: David Spence asked for additional projects for his experimental archaeology in high school plan and left with numerous contacts and suggestions.

Each and every paper had some unique view, some unusual bit of information; since the practical aspects of experimental archaeology requires a more interdisciplinary approach than traditional academics, conferences like REARC are essential. You just never know from what discipline, from which subject, the answer to the question you did not even realize you had could come from. I personally was amazed to find that the gist of my paper — to not take words at their literal modern definition — was independently repeated in another paper… to have my initial interpretation validated via an independent source right then and there.

The work stations, surrounded by assorted Colonial-era garments being altered or repaired.

During the lunch break, Chrestienne and I quietly excused ourselves and took a quick look at the Annual Open House at the nearby Colonial Williamsburg Costume Design Center. Here, the staff fits, designs, creates, and dresses the area’s costumed interpreters.

The clothes range from silk gowns and caps for the ladies, to cotton and linen wear for the middling sort, to handmade leather gloves and embroidered coats for the male gentry. Ordinarily, the Center is only open by appointment, except one day a year, when it opens the doors for all to show and tell. And we made sure to be there! It was a cornucopia of fabrics and embellishments, and the workstations were to die for…

Talon Silverhorn showing his beaded belt made using Fingerweaving. He also told about how his tribe uses this technique to record and tell stories right up to our modern period.

I also learned that the colonial interpreters do not make nor own their costumes. It is this department that researches, designs, fits, and creates for everyone on the payroll. Except for the Native Americans, it seems. We did not see any Native American wardrobes out in storage or on display, and from talking with Native interpreter Talon Silverhorn we learned that most make their own as part of their tribal community and heritage.

Bill Schindler, experimental archaeologist and co-host of the National Geographic show The Great Human Race. I enjoyed our conversation over a craft beer at the hotel, and even taught him a thing or two about historic mead brewing.

The keynote speaker for this year was Bill Schindler, an experimental archaeologist with Washington College and part of the Eastern Shore Food Labs. His quite-engaging presentation on Fusion: ancestral diets, modern culinary techniques, and experimental archaeology was well received and left the audience with a number of questions to think about.

This paper was perfect for the younger generations now growing up in an environment that might be more hostile to them than they would surmise, and this area of research, experimental archaeology, could help shed light on where to go from here. The connection between human biology and our diet, and the impact industrialization has had on our health to the point where humans and our pets can be both obese and malnourished, is not only fascinating from an academic point of view but relevant to the survival of our species.

This year’s demonstrations were two part: the practice of throwing atlatl and observing and shooting early bows, combined with the technique of smelting and casting bronze and making Viking era glass beads.

Unfortunately, while the weather was absolutely gorgeous on Friday, by the time Saturday came around it had changed to intermittent drizzle and rain. But that did not stop us from having a go at each of the stations and appreciate the added value of tent coverings at the metallurgy and flamework areas. While I would have loved to try the Ötzi replica bow as initially intended, Manuel Lizarralde did not feel comfortable to have it out in soaking rain as it was not yet waterproof.

I did get to shoot a fire-hardened black locust Native American self bow, weatherproofed with bear grease, and even hit the target center. Conference host Tim Messner enjoyed the primitive tattoo kit and extant stone tools that Talon Silverhorn, Native American interpreter, brought to share – and almost talked him into a tattoo demo on the spot!

Fergus Milton, with help from David Spence, melting bronze to do a lost-wax mold casting later in the afternoon.

 

At the station near the blacksmith area, we enjoyed Fergus Milton’s bronze casting demonstrations — with help on the bellows by David Spence — using a small furnace constructed on site from local clay and aerated with a primitive leather-bag bellows.

He began the day by smelting the bronze and preparing two molds, and poured the molds mid-afternoon. Several museum guests returned specifically to witness the casting, after stopping by periodically to keep an eye on the proceedings.

Chrestienne making her first Viking glass bead over a charcoal bead furnace under the expert supervision of Neil Peterson (a SCAdian of old). She’s wearing the loaner sweater Neil provided (available to those wearing flammable man-made fiber fabrics). Wool is a safer fabric to protect against sparks and burning embers.

At the same time Neil Peterson had his coal-fed bead furnace up and running for conference attendees to try their hand at making a Viking glass bead. His station was in continuous use throughout the day and many of the attendees left with a precious homemade bead in their pocket. Surprisingly, participants often had more trouble with the coordination required to operate the bellows effectively, me included, than they had creating a simple bead.

Pouring molten tin into a cuttlefish mold encased in fresh clay as support.

The mold is only able to be used once, becoming burned during use. Although tin is used to demonstrate, it is a softer metal than the master used for the impression.

 

 

 

 

 

 

 

 

 

Finally, before packing up, Fergus Milton did a quick demonstration of cuttlefish casting for David Spence to consider showing to his high school students. He used some tin he had on hand, and as it had a lower melting temperature than the bronze, it quickly became molten and he was able to show how the porous nature of the cuttlefish bone lends itself well to making a quick mold. It takes in a good amount of detail from the master used to press into the material and feels a bit like a dense, fine Styrofoam when pushing a metal object in to make an impression.

To cap off this wonderful experience, the resident founders at Williamsburg had invited Fergus Milton (burgundy shirt) for a special bronze casting demonstration at their shop on Sunday morning. To experience the prehistoric process, so closely followed by the much more refined methods of the 18th century Geddy Foundry, was an appropriate ending to an otherwise perfect immersive weekend of reconstructive and experimental archaeology. We are ready to come back for more next year!

Insistent cow, with bull calf, determined to charm snacks from us! (Photo: R. Mazza)

 

 

 

 

 

 

 

All photos credited to S. Verberg, unless otherwise stated.

For details on the presented papers, see the EXARC site.

See Elska’s blog here.

 

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Duchess Siobhán Visits a Medieval Textile Dig in Finland

21 Wednesday Dec 2016

Posted by aethgazette in Arts & Sciences, Fiber Arts

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Archaeology, Embroidery, Finland

Duchess Siobhán inghean uí Liatháin recounts her trip to a textile seminar in Finland, including a visit to an archaeological dig!

Back in October, I found myself truly emerging myself in history. I had flown to Finland to participate in a weekend-long seminar that focused on ancient textiles, techniques, and materials from the coasts of the Baltic Sea. I was surrounded by archaeologists and history enthusiasts like myself, all there to learn from those who have had their hands on the “real deal” and learn ways to create the items ourselves. And even though this seminar was amazing, it did not hold a torch to what happened to me 2 days prior.

One of my hostesses in Finland was the amazing Mistress Joutsenjärven Sahra. Lovers of Tablet weaving may know her as one of the co-authors of Applesies and Fox Noses – Finnish Tabletwoven Bands. One morning she asked me if I would like to visit an actual archaeological site where Iron Age items had been newly discovered. I just about fell out of my seat with excitement and a resounding YES PLEASE came quickly from my lips.

The drive to the site was not long but it was long enough for her to tell me that the place where we were going had been discovered in 2013. It is known as Ristimäki Hill in Ravattula village near Turku. The small hill was on private farm land and it was the farmer who noticed that there might be something in the ground that was not put there naturally. An archaeological team was called in and they were shocked at what they had found. What was discovered on this small hill was the remains of a late 12th century-early 13th century church. The church is, so far, the oldest in Finland and also the only one dating from the period before the creation of a Finnish parish system.

dig-with-canopy

As we parked our car and started to walk the dirt road to the hill, I questioned whether we would get in trouble for walking on the private farm land. She told me that the site was protected by the Antiquities Act. This meant that visiting the site is possible within the framework of the Act and the Finnish “everyman’s right” (or in Finnish: jokamiehenoikeus). As long as we stuck to the road and did not disturb the site or surrounding area, we were allowed to visit. 200 meters down the road we turned left and there I was, standing in the middle of history.

dig-site

sign-in-bookLooking around, I saw taped off areas and tarps covering the ground. There was a team digging in few of the sites as well. I asked Sahra if they work all through the winter, as I pulled my wool jacket tighter because it had started to drizzle cold rain. She said no, they will soon stop digging and cover all open areas with tarps. I asked if security then comes and looks after the sites and I was shocked to learn that there was no security. The digging is donation-based and there was not enough money to pay for security. The archaeologists have to hope that no one comes and disturbs the sites. I also learned that publication is also donation-based and that even if they find amazing things in the ground, if there isn’t enough money to research it and publish, then it can sit in storage for months or even years.

Taking all that in, I walked over to where most of the people were and watched them carefully scrape and dig in the ground. Sahra also said that most of the people at this site were volunteers, probably from the local collages. There is one archaeologist in charge of the whole site, but everyone else is a volunteer. Just as I was thinking about how cool it would be if I could volunteer, there was a commotion in the digging area I was standing by. Sahra came over and asked a volunteer, in Finnish, what was happening, and she was told that they had just found a female bronze spiral apron. I just about fell over!

siobhan-and-dig

Here I was…in Finland because I love to recreate Finnish Iron Age aprons, and one was being discovered before my eyes. There are no words to properly describe my feelings but I can say I cried from being overjoyed. Sahra explained to the volunteers that I have made reproductions of aprons and because she said that to them, they brought up some of the spirals for me to look at. I was blown away at this opportunity I was given. I stood there staring at history and the source of my passion. It was magical.

man-at-dig

I could not thank Mistress Sahra enough for taking me to this place and letting me experience this once-in-a-lifetime opportunity. The memories will stay with me for a lifetime.

If you want to read more about the excavation (sorry, it’s mostly in Finnish) you can go to www.ravattula.fi

All photos by Duchess Siobhán.

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